Τηλεφωνικές Παραγγελίες:

210 6854940

STO-ASP.2752.0001.jpgSTO-ASP.2752.0001.jpg

Δωρεάν Αποστολή

Για αγορές άνω των 50€

Άτοκες Δόσεις

Έως 24 άτοκες δόσεις μέσω πιστωτικής κάρτας

Jan - The Memetics of Music

Διαθεσιμότητα: 1-3 ημέρες
Κατασκευαστής:

Κωδικός Προϊόντος: STO-ASP.2752.0001
110,00 €
99,00 €

Richard Dawkins's formulation of the meme concept in his 1976 classic The Selfish Gene has inspired three decades of work in what many see as the burgeoning science of memetics. Its underpinning theory proposes that human culture is composed of a multitude of particulate units, memes, which are analogous to the genes of biological transmission. These cultural replicators are transmitted by imitation between members of a community and are subject to mutational-evolutionary pressures over time. Despite Dawkins and several others using music in their exemplifications of what might constitute a meme, these formulations have generally been quite rudimentary, even naive. This study is the first musicologically-orientated attempt systematically to apply the theory of memetics to music. In contrast to the two points of view normally adopted in music theory and analysis - namely those of the listener and the composer - the purpose of this book is to argue for a distinct and illuminating third perspective. This point of view is metaphorical and anthropomorphic, and the metaphor is challenging and controversial, but the way of thinking adopted has its basis in well-founded scientific principles and it is capable of generating insights not available from the first two standpoints. The perspective is that of the (selfish) replicated musical pattern itself, and adopting it is central to memetics. The approach taken is both theoretical and analytical. Starting with a discussion of evolutionary thinking within musicology, Jan goes on to cover the theoretical aspects of the memetics of music, ranging from quite abstract philosophical speculation to detailed consideration of what actually constitutes a meme in music. In doing so, Jan draws upon several approaches current in music theory, including Schenkerism and Narmour's implication-realization model. To demonstrate the practical utility of the memetic perspective, Chapter 6 applies it analytically, tracing the transmission of tetrachordal memes in string quartets of Haydn, Mozart and Beethoven using computer resources. The book concludes with a consideration of the broader significance of memetics for understanding the interplay between (human) nature and (musical) culture. In all, the book is a tour de force for the wider implications of memetics for music.     Pages: 278Language: EnglishPublisher: Ashgate Publishing

Γνώμες πελατών

There are yet no reviews for this product.

Επικοινωνία

Πέλλης 72

152 34 Χαλάνδρι - Αθήνα

Τηλ. 210 6854 940

Κιν. 697 1934 968 - 693 2381 244

Fax. 210 6850 334

Please publish modules in offcanvas position.