State-of-the-Art Bärenreiter quality Urtext
Performer information on Aesthetics i.e. pedalling, tempo, articulation, dynamics
Critical report (Eng.) and Facsimile
Little is known about the origins of Debussyâs Pour le piano, only that the second movement Sarabande was written in 1894 and that the autograph carries the clear inscription »1901«.
As with the Suite bergamasque, Pour le piano was published first by Fromont in 1901, although Debussy did not grant him the full rights to the composition until 1905. This delay had most certainly to do with Debussyâs efforts to have Fromont transfer the rights to Pelléas et Mélisande to his new exclusive publisher Durand; in other words, Fromont was to own Pour le piano only if Durand owned Pelléas.
Bärenreiterâs new critical scholarly edition edited by Regina Back relies on all known sources, documenting the genesis of the composition, provides a detailed Critical Commentary and enlightens with its text passages on performance practice and Debussyâs piano music.
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Einführung:
Entstehungs- und Pubikationsgeschichte
Zum Werk
Ãsthetik und Aufführungspraxis
Zur Edition
Die Quellen
Ãbersetzung der Spielanweisungen
Introduction:
Genesis and Publicatin History
The Work
Aesthetics and Performance Practice
Notes on the Edition
The Sources
Translation of Performance Instructions
Introduction:
Genèse et historique de la publication
L'Åuvre
Esthétique et traditions d'exécution
Notes sur l'edition
Sources
Faksimile / Facsimile / Facsimile
Anhang / Appendix / Appendice
Critical Commentary
Γνώμες πελατών
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